Inception

Whew! What a ride! This 2-1/2 hour film flew by, and though the plot and action can seem (and sound) complicated, if you really pay attention - not hard to do - it all hangs together and can be followed without confusion. The story takes place in a future where people can be put to sleep and hooked up in some bizarre way so that they share dreams. And the main character in the film has perfected a system where he and a group of fellow operators use this method to extract information from someone's mind, a form of corporate espionage; not only that, he also claims to a potential "employer" to be able to plant an idea into someone's mind in such a way that that person believes it's his own idea. So the film follows them as they attempt to carry this out. And yes, there are lots of action scenes: things blowing up, impossible gun battles, but because they're taking place in a dream with no attempt to make them seem possible, they didn't bore or bother me the way these kinds of scenes in traditional action movies usually do. As well as the story itself, it's about dreams and reality, what's real and what isn't, how can you tell the difference. These questions are somewhat similar to what's presented in the wonderful 2001 Richard Linklater film Waking Life, though Inception doesn't have the philosophical/spiritual feel of that one. Rather, this one has a much more cerebral feel, and so the pleasure and admiration I experienced were intellectual rather than emotional, and as well, I have great appreciation for Christopher Nolan's skill as a director. He has definitely lived up to my enjoyment of his previous films Memento and The Prestige. He also has directed two of the Batman films, most famously The Dark Knight. Though the only character that brought out some emotional or heartfelt connection was the main character's wife, played by Marion Cotillard, I still felt this was an excellent film.

The Messenger

As the only film about the Iraq war I was interested in seeing, for the most part it didn't disappoint. Actually, it's about a lot more than the Iraq war. Excellently acted by Ben Foster, Woody Harrelson (who won a well-deserved Oscar nomination for his role) and Samantha Morton, the basic story revolves around two soldiers whose job is to inform a family member of the death of their son, daughter, husband or wife. Watching this film was mesmerizing and heart-wrenching: people being overcome by emotions, as you'd expect, as well as the stoic following of the military rules of non-involvement (just being a messenger) by the two soldiers and the effect of that on them. So this film is really about the overall result of war and the military life in general to soldiers who've come home from fighting as well as their families. As one of the soldiers says "They should show the funerals on TV". There were a few drunken buddy scenes later in the film that didn't seem as real to me, but maybe they would to a man or a soldier.

Soul Power

This documentary was put together in 2008 using some of the many hours of film shot before and during the 1974 concert in Kinshasa, Zaire, around the big event of the heavyweight boxing championship between Muhammad Ali and George Foreman. You might have seen some of the footage shot if you watched the 1996 documentary When We Were Kings that focused on the fight itself; this one focuses on the concert. If you like soul music I really recommend this DVD, both for the music and the dancing. There were African and American musicians and dancers, as well as a great Cuban group showcasing Celia Cruz -- all wonderful to watch and listen to: BB King, James Brown, The Spinners, Miriam Makeba and more.

The Secret in their Eyes

This film won Best Foreign Language Film at the recent Oscars; since I haven't seen any of the other contenders I can't offer my opinion on whether or not it deserved to win or compare it to the others. But I will say that I found it quite an interesting and compelling film, though I probably wouldn't rave about it quite as much as some film critics have. It's from Argentina and is a haunting mystery/thriller with political overtones and also includes personal/intimate life details of the various characters including unrequited love spanning many years. The cinematography is beautiful and an interesting style and the characters also kept my interest throughout. One thing I very much appreciated was the sense that in some way that I can't really explain the whole film was presented with a strong flavour of Argentina and would have been a very different film if it had been made in North America or Europe. I don't know if this film will ever come to Halifax (I'm on vacation in Berkeley, California) but I'm sure it will be available on DVD at some point.

Mao's Last Dancer

This is a beautiful, romantic film that you'll particularly enjoy if you appreciate ballet - the dance scenes are spectacular. Based on the autobiography of Li Cunxin, who grew up in a peasant family in China, was selected at age 11 to train as a ballet dancer in Beijing, and defected to the US in 1981 after spending the summer as a student with the Houston Ballet Company. He went on to become one of their principal dancers and later joined a ballet company in Australia. The film moves between the stories of his early life in China and his time in the US, including the very tense situation of his defection. The role of Li Cunxin is played by Chi Cao, a wonderful dancer who trained in both Beijing and the Royal Ballet School in England; he's currently principal dancer with the Birmingham Royal Ballet. Bruce Greenwood is excellent in the role of Ben Stevenson, who was artistic director in Houston and responsible for Li Cunxin being in the US in the first place. The film is directed by Australian Bruce Berseford, well known for a number of excellent films including Tender Mercies and Driving Miss Daisy.

Youssou N'Dour: I bring what I love

I'm still mystified by the fact that until I watched this film, as far as I can remember I had never before heard Senegalese super-star singer Youssou N'Dour, despite the fact that I've been listening to "world music" for many years. This documentary includes many clips of him singing at various concerts and recording sessions, and I predict that even if you've never been a fan of African or any other international music before, you won't be able to watch this film without at least smiling and possibly being compelled to get up and dance. I plan to now purchase one of his albums! He has been a well-known, popular singer in Senegal for over 30 years, and then in 2005 he released the controversial album "Egypt", which includes musicians from Egypt and is spiritual in nature, all the songs having themes from his Sufi-Muslim religion, of which he's a devout follower. As well as including clips from his early life and music, the film follows the controversy generated mainly by his fellow countrymen because of the feeling it was inappropriate to so popularize their religion in music. It also includes the album's wildly successful concert tour in Europe and North America, ending in his winning a Grammy for "Egypt". I loved this film and was completely taken in by the music and Youssou N'Dour's amazing voice and charismatic presence. I've read some critical reviews of it as being mainly for the purpose self-promotion, but that's not how it seemed to me.

The September Issue

Those of you who read my review of Valentino: The last emperor in my 2009 Film Reviews document will know that I by no means consider myself to be a fashionista, but as with that film, I found this documentary about the amazing and lengthy process to create and publish Vogue magazine's huge September issue completely fascinating. I like nice clothes and enjoy seeing people who are smartly dressed, but I watch this level of involvement in high-end fashion with a combination of admiration and revulsion. From my point of view it's actually a completely unnecessary and disgustingly extravagant activity, plus many of the dresses are really unwearable by normal people, yet in watching this film I could kind of see the designers, editors, photographers, etc., as purely creative artists rather than wondering how they could justify the expense and lives devoted to this kind of fashion. The film revolves mainly around Anna Wintour, who has run Vogue for many years and has the last word on everything, and Grace Coddington, Vogue's Creative Director also for many years. It's fascinating to see their very different personalities, how they often seem to clash and yet manage to come out with their product every month. It also demonstrates, to me at least, that what's considered beautiful in fashion or photographs is purely a matter of personal taste of the moment, rather than any absolute truth of beauty.